Here's the goodies that save my life on a regular basis. . . . . and more importantly. . . . . how and why.
But These Photos Don't Show Anything Sexy
Of course I could sit here and share with you the super expensive gear; the big bodies, the fast glass, the carbon fiber sticks, sure, but those are the obvious tools. Today, it's about the little guys. The underdogs. The behind the scenes stuff. The stuff that gets little credit but when they are needed, are priceless.
Without further ado (and in no particular order). . .
#1 The Reflector
It's 50 bucks of awesome light people!
Whether working with a strobe or the sun, used properly, this invaluable piece of gear becomes a very usable and efficient second light source.
Even more, with the convertible 5-in-1 type that I use, you get just that, five different ways to modify your light: translucent for shoot thru purposes, gold for warm fill, silver for more punch, white for softer light and black as a flag.
Shown :: Westcott 40 inch 5-in-1 Reflector Kit
As they come in different sizes, I'm a firm believer that the 2 inch model is the most versatile. Not so small that they are limited to their applications and not so big that they are a pain in the ass to pack. Oh, you won't want to buy just one. I pack about 6 of these on every shoot.
For what? In the studio they hold everything from seamless rolls to strobes with broken feet (oh, yeah baby, talk about improv). Without an assistant they work nicely to clamp reflector and reflector type mods to any light stands or C-stands. What do you think is holding that 5-in-1?
The bottom line? When you think you don't need them, you will. Use your imagination.
Shown :: Husky 2 inch A-clamp (the black clamp is of an industry brand and I will not reveal the source.
#3 Gaffers Tape
Think of the extremely versatile A-clamp but only on a heaping helping of steroids.
You those people who fix everything in their house with some duct tape? Same principles apply here. From securing stingers (extension cords) to the ground to attaching gels to lights, gaf tape can do it all.
What's so extraordinary with gaffers tape is not only is it super strong but it's easily torn into custom sized strips and miraculously, it won't leave residue or peel paint from the walls.
Personally, I keep two rolls at all times, white and black. It just makes sense. I promise.
The downside to gaf tape? Slap me silly and call me Suzy, gaffer tape is NOT inexpensive in the grand scheme of the tape world. Sizes vary but on average you're looking at $20-30 per roll!!!
FOR TAPE. YES. TAPE. AND NO, IT DOES NOT (fill in your witty sexual obscenity here).
Shown :: Shurtape Professional Grade Gaffer Tape
#4 The Boom